Pat onnce again gets his pimp hand strong for this song. The harmonizing from Patta at the end was actually very sweet this was before the auto craze so Pat thankfully doesnt get his T-Pain on. Pat sends a touching shout out to his deceased cousin at the beginning of his second verse which was nice to hear.ġ4.Y'all Niggaz Ain't No Killaz, Y'all Niggaz Some HoesĪfter a ramdon intro from Pat brings the heat doing what he does best spits hard strret tales over hard hitting somewhat spooky production. Real smooth introspective track from the normally gutta as all get it Project. All around good song.ġ3.Life We Live featuring Namond Lumpkin & Edgar Fletcher Crunchy is the fucking man he brings an unmatched energy to the tracks hes on. Pats flow like always is over the top and awesome. Pat spits some raw gangsta shit this track is very good it's a shame Pat want to jail right after this album was released and didnt have a chance to really blow up (this was is best selling album selling ove a million copies) cuz the man is made talented. The beat is insane intense calm and spooky all at the same time. Rowdy Memphis gangsta buck as only Pat could do. cuz it bleeds into the next track shoulda juast been an intro into We Can Get Gangta then is own track. I dont get why this is its own track esp. Pat & Lord's song Smokin Out off Layin Da The Smackdown is a better weed song but i'll get to that when I get to that album. The beat is really really really bonkers and could only of been made if Paul and Juice themselves were super baked (which I dont think is too far off from the truth). I think mits the better one Pat And Lord's flows fit the beat like a glove. Project bats clean up and sinks a homer with his verse and makes this track a home run for everybody involved. Crunchy ups the anty with his intense energy, then Lord tells a story bout a kid who got picked on in high school who became and cop and still got buried by real thugs. Juicy grabs Pauls handoff and runs with it and the track picks up. Paul's verse is very intense and will make want to punch your own grandmother in the mouth. That being said the beat the hook an d even Projects charm makes this track listenable and not as bad sounding as I described it.Ĩ.Break da Law 2001 featuring Three 6 MafiaĪt this piont this was I belive the 4th verision of this song and as with the other ones this is just as rowdy. He comes off as a cold blooded mother fucker making a bitch trick for his money. Most rappers when rapping bout pimping give a real glossy shiney verision of it. This is the most raw and dirty pimping tack I have ever heard. The humming during Juices verse is very spooky and enhances his 8 bars. DJ Paul's verse isnt that bad as he is convining as somebody who will fuck you up. One thing I really miss bout old Three 6 is the beat switches and the chants that are sewn into the beats. The beat switch in the second verse I think is a far better beat. Patrick come soff as a man not to fuck with. Real dark beat with Patta talking bout snitches and what he does to them. Projects PSA telling you that if you aint from his hood then you problly should not be there.
Crunchy comes correct with his high energy elementary style.Ħ.If You Aint From My Hood featuring DJ Paul & Juicy J
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The beat is real smooth and bass heavy plus Prject seems to have a knack for talking bout these trfling hoes. But on the album verision (the much better version) he has the first two verses and rips the shit outta him. The Video verison has Paul and Juice splitting the second verse cuz Project was in jail hence why he wasnt in the video. the beat switch for the very last verse is a welcomed suprise. Dude's flow is beyond bonkers on this track the beat is real dark and has a cloudly smoking feel to it like not only where Project, Juice, & Paul all high when this track was made but that some how the beat itself is high. If there's one thing Project likes more then robbing cats (and possibly sticking guns up peoples butts) is smoking pot. The North Memephis chant during the second verse is real sweet and adds to the rowdy buck atmosphere of the track. Not a sequel to Out There but merely a skitįrantic Dark beat with Project spitting real hard like he likes to do. Then Paul and Juice split the last verse for no other reason then the can and to talk shit bout some hoes maybe. Then Him & Chat do a real good back on forth that sounds like a couple in a un-healthy relationship having an argument.
Pat uses the first verse to let some steam out bout a women who isnt that much of a catch. 1.Chikenhead featuring La Chat, DJ Paul & Juicy J
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